i did a bunch of taste tests starting with nothing on my 2bus, then i gradually added color to my 2bus and got more aggressive with it, each time sending it through Landr. but, after a while i realized it all depends on what you send to Landr. at first i liked it because it was quick and easy and didn’t seem to crush stuff too much. why not? been working on a friend’s record and decided to try it. I received some offer for Landr for a year for really cheap. You have already decided that level of investment in your art is too high.Īs artists, it hurts when business decisions have to be weighed against creative decisions. Before anyone judges anyone else for not being willing to spend money on these services, remember that if you use one of them, you are already making a COGs decision by not sending it to a professional mastering house. Controlling COGs is a critical business function. Taken in isolation, those arguments make sense around this issue, but when you add this cost to master a song to every other cost that comes up…Įach of us has to make a decision on COGs (Cost of Goods Sold) just like with any other product any company puts out. Yes, there’s an entire spend-money-to-make-money, or invest-in-your-music-if-you-believe-in-it argument that can be, and often is, made. Those services cost, and if you’re not making money on your music, costs like that really can start to add up. The answer to the “why wouldn’t you try it?” question for some is simply money.
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